Ajinbayo Akinsiku wants the world to know Jesus Christ, just not the gentle, blue-eyed Christ of old Hollywood movies and illustrated Bibles.
A page from the Manga Bible by Ajinbayo Akinsiku. “For the unchurched, the book is to show that this thing, the Bible, is still relevant,” Mr. Akinsiku said.
Mr. Akinsiku says his Son of God is “a samurai stranger who’s come to town, in silhouette,” here to shake things up in a new, much-abridged version of the Bible rooted in manga, the Japanese form of graphic novels.
“We present things in a very brazen way,” said Mr. Akinsiku, who hopes to become an Anglican priest and who is the author of “The Manga Bible: From Genesis to Revelation.” “Christ is a hard guy, seeking revolution and revolt, a tough guy.”
Publishers with an eye for evangelism and for markets have long profited by directing Bibles at niche markets: just-married couples, teenage boys, teenage girls, recovering addicts. Often the lure is cosmetic, like a jazzy new cover.
Sales of graphic novels, too, have grown by double digits in recent years. So it makes sense that a convergence is under way, as graphic novels take up stories from the Bible, often in startling ways. In the last year, several major religious and secular publishing houses have announced or released manga religious stories.
The medium shapes the message. Manga often focuses on action and epic. Much of the Bible, as a result, ends up on the cutting room floor, and what remains is darker.
“It is the end of the Word as we know it, and the end of a certain cultural idea of the Scriptures as a book, as the Book,” Timothy Beal, professor of religion at Case Western Reserve University, said of the reworking of the Bible in new forms, including manga. “It opens up new ways of understanding Scripture and ends up breaking the idols a bit.”
While known for characters with big eyes and catwalk poses, manga is also defined by a laconic, cinematic style, with characters often doing more than talking.
In a blurb for the Manga Bible, which is published by Doubleday, the archbishop of Canterbury, the Most Rev. Rowan Williams, is quoted as saying, “It will convey the shock and freshness of the Bible in a unique way.”
No doubt. In the Manga Bible, whose heroes look and sound like skateboarders in Bedouin gear, Noah gets tripped up counting the animals in the Ark: “That’s 11,344 animals? Arggh! I’ve lost count again. I’m going to have to start from scratch!”
Abraham rides a horse out of an explosion to save Lot. Og, king of Bashan, looms like an early Darth Vader. The Sermon on the Mount did not make the book, though, because there was not enough action to it.
The Manga Bible sold 30,000 copies in Great Britain, according to Doubleday. The print run in this country is 15,000, and it sells for $12.95.
Mr. Akinsiku, 42, who uses the pen name Siku, grew up in England and Nigeria in an Anglican family of Nigerian descent. He recently graduated from theology school in London. For years, he has worked as an artist, and a rendering of the Bible was the best way of glorifying God, he said in a telephone interview from London.
While younger adults and teenagers are the most avid consumers of manga, Mr. Akinsiku said he had heard from grandmothers who picked up the book as a gift for their grandchildren. The book is meant to be a first taste of the Bible, which many feel too intimidated to read, Mr. Akinsiku said. Every few pages, a small tab refers to the biblical verses the action covers.
“For the unchurched, the book is to show that this thing, the Bible, is still relevant,” he said, “because it talks about what human beings do when they encounter God.”
Christian thinkers have tried to make the Bible accessible for centuries, scholars said. Stained glass windows related Bible stories when Europe was largely illiterate. New printing technology in the 19th century made it possible to mass-produce Bibles, including illustrated versions, said Peter J. Thuesen, acting chairman of religious studies at Indiana University-Purdue University Indianapolis.
As literacy rose (and marketing flowered), individual families bought Bibles. In the 1960s and 1970s, books like the Living Bible and the Way came out, written in vernacular English, although scholars criticize their accuracy.
In the past decade, as consumer products have been directed at niche markets and religious services tailored to different groups, publishers have made more money by creating Bibles to serve certain groups, said Lynn Schofield Clark, director of the Estlow International Center for Journalism and New Media at the University of Colorado.
A few years ago, for example, the religious publisher Thomas Nelson issued a Bible for teenage girls called Revolve, which looked like a glossy magazine. It sold 40,000 copies in a month, Ms. Clark said, a staggering number for a Bible.
The goal of the Bibles is not just to win people to Christ, but to particular ways of thinking, said Jason BeDuhn, associate professor of religious studies at Northern Arizona University. Mr. Akinsiku said the biblical message he wanted to underscore was justice, especially for the poor.
His book has been criticized by some manga bloggers as too wordy. Mr. Akinsiku said the exposition gave readers a quick understanding of the Bible. His next project is a manga life of Christ. He has 300 pages to lay it out, which means there will be a lot more action, a lot less talking, something like Clint Eastwood in the Galilee.
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